Oda Loll, 2024
85 × 55 mm
60
Yellow and Bordeaux
Multi Offset 300g/m2
uncoated white paper
typewriter font, 10 p
Pro Arte, 36 p
Max Miedinger, 1945
unknown
Haas Type Foundry
unknown
Design – 10:57 a.m.
Colour selection – 11:42 a.m.
Print, first colour – 12:54 p.m
Print, second colour – 1:34 p.m.
Leisure time – 2:58 p.m.
typeface:
More Impression, 2023
20 × 29,7 cm
CMYK
Multi Offset 300g/m2
uncoated white paper
5
Lego Pixel Font
Greeting card, printed with Lego bricks and 3 colours on the Vandercook proof press.
typeface:
More Impression, 2023
35.5 x 53.3 cm, folded to 7 inches
bleu, blanc, rouge
Fly 90g/m2
60 pieces
Garamond, Bodoni bold, Bodoni lean, Bodoni narrow bold, Clarendon, typewriter font, Liturgical, Reform Grotesk, Venus wide semibold, Venus wide lean, Venus narrow semibold, Industria bold, Industria thin, Erbar bold, Futura, Kabel light, Nürnberger Schwabacher, Memphis thin, Fundamental-Grotesk bold, Fundamental-Grotesk semibold, Fundamental-Grotesk semibold italic, Fundamental-Grotesk light, Supremo Versalien, Fatima, Forelle, City light, Claudius, Elan, Graphique, Italienne versal, Pro Arte, Diethelm-Antiqua, Rhapsodie, Vendôme light, Vendôme italic, Impuls semibold, Delphin, Permanent bold, Permanent light, Vendôme semibold, Horizontal
Contribution to Hits! – printmakers top ten at the invitation of Annegret Frauenlob, Essen.
typeface:
9 October 2023 – 17 March 2024
HGB, Leipzig
Archive and Library of the HGB, Julia Blume, Vincent Klotzsche, Yvonne Schürer
Graphic workshops: Johannes Oestringer, Sebastian Cewe
Exhibition of prints from the Typography and Typesetting course run by Aurelia Markwalder.
typeface:
Aurelia Markwalder, 2023
9 × 13 cm
black
Multi Offset 300g/m2
uncoated white paper
300
Diethelm Antiqua
Walter Diethelm, 1948
Haas Type Foundry
Invitation card to the inaugural lecture Das Strafrecht als Hilfswissenschaft der Kriminologie? including Apéro riche.
typeface:
Aurelia Marwklader, 2023
A6 and C7
Viva Magenta, Pantone Coulor of the year 2023, 18-1750
Munken Lynx 160g/m2 and 300 g/m2
100 pieces each
Venus
1907
Bauersche Schriftgießerei
Letter set consisting of card and matching marbled envelopes.
typeface:
June 8, 2023
In 2014 we founded our print shop at Reclamstraße 51. Out of nine years seven have been burdened by the struggle with changing landlords. The tenants of the flats are still fighting for their rights (entmietung51.de).
Commercial leases are subject to freedom of contract. There are no restrictions on what is agreed, which means there are no tenant protections – Keep this in mind when you enter into such contracts. We were only able to stay for so long because we had a lawyer for the conclusion of the rental agreement.
We did not move out by choice, but taking the best with us: our ideas, your orders and the memory of all the good encounters.
We have arrived in Knauthain with the best help and support and are happy to stay here.
typeface:
June 1, 2023
We are giving away all leftovers – books, paper, prints, furniture, stamps and pasta – for donation for the upcoming move.
typeface:
16 December 2022, 3 – 8 pm
typeface:
15 October 2022
Aurelia Markwalder
Paul Philipp Hanske
8,5 × 14 cm
Munken Lynx, 300 g/m2
100
ANNA, Leipzig
Paul Philipp Hanske, München
Memphis light, 8 p
Rudolf Wolf
D. Stempel
Card in addition to the stroll at 21 Juli 2022 with Paul-Philipp Hanske and Aurelia Markwalder.
typeface:
8. – 10. July 2022
typeface:
More Impression, 2022
50 × 60 cm
Tissue paper, 24 g/m2
10 pieces each
Marbled tissue paper for Vary Winterthur.
typeface:
Aurelia Markwalder, 2024
85 × 55 mm
160
black
Chromolux metallic silver, 250g/m2
Vendôme italic, 12 p, 8 p
Françoise Ganeau, Roger Excoffon
Fondrie Olive
typeface:
Aurelia Markwalder, 2020
set of 12 cards
55 mm × 85 mm
black
Multi Offset 300g/m2
uncoated white paper
Vendôme, 8p
Françoise Ganeau, ca. 1956
Fonderie Olive
Save the Rave
typeface:
Vendôme halbfett, 8p
3 July 2021, 5 – 10 pm
Série E, Fonderie Typographique Française
digital font by Aurelia Markwalder
typeface:
3
UK 4,5
UK 5,5
UK 6
We marble everything.
typeface:
Britt Helbig, 2016
Married Couple,
3,375 × 2,5 inches
85 mm × 64 mm
10 cards red
10 cards green
10 cards blue
10 cards red/green
10 cards red/blue
10 cards green/blue
10 cards red/green/blue
Multi Offset 300g/m2
uncoated white paper
Helvetica mager, 20p
Max Miedinger, 1958
Haas Type Foundry
All combinations of the RGB spectrum.
typeface:
Helvetica mager, 20p
Helvetica mager, 20p
Helvetica mager, 20p
Helvetica mager, 20p
Helvetica mager, 20p
Helvetica mager, 20p
Helvetica mager, 20p
More Impression, 2015
85 mm × 55 mm
1/0 black
Chromolux 700, 300g/m2,
oneside glossy paper
text: Genzsch-Antiqua halbfett, 8p
footnote: Grotesk extrabreit leicht, 5/6p
text: Friedrich Bauer, 1908
footnote: unknown
text: Genzsch & Heyse, Leipzig
footnote: unknown
For lyrical moods and literary delights.
On this card, there is space for more than 200 characters.
typeface:
Genzsch-Antiqua halbfett, 8p
Genzsch-Antiqua halbfett, 8p
Genzsch-Antiqua halbfett, 8p
Genzsch-Antiqua halbfett, 8p
Genzsch-Antiqua halbfett, 8p
Grotesk extrabreit leicht, 5/6p
Grotesk extrabreit leicht, 5/6p
More Impression, 2015
85 mm × 55 mm
1/0 blue
Chromolux 700 300g/m2,
oneside glossy paper
Helvetica mager, 20p
Max Miedinger, 1958
Haas Type Foundry
The backside of the glossy front is perfect for drawings and writings.
typeface:
Helvetica mager, 20p, Versalien
Ernst und Mund, 2015
85 mm x 55 mm
1/0 red
Conqueror Iridescent Gold Dust 250g/m2,
golden pearly glaze and smooth surface
Helvetica, Futura, Genzsch-Antiqua
Max Miedinger, Paul Renner, Friedrich Bauer
unknown
A waterfall falls on a golden pearly glaze. One card is not enough – that’s why you get a pair of two.
typeface:
Helvetica halbfett, 36p
Helvetica halbfett, 28p
Helvetica halbfett, 20p
Helvetica halbfett, 14p
Helvetica halbfett, 12p
Futura, 48p
Futura, 48p
Genzsch-Antiqua halbfett, 8p
More Impression, 2015
85 mm × 55 mm
1/0, black
Munken Lynx 300g/m2, uncoated, natural white paper
Diethelm Antiqua, 12p
Walter Diethelm, 1951
Haas Type Foundry
The Diethelm Antiqua typeface makes this simple design special. Having not (yet) been digitized, this typeface is exclusively typeset and printed in lead.
typeface:
Diethelm Antiqua, 12p
Diethelm Antiqua, 12p
Diethelm Antiqua, 12p
Diethelm Antiqua, 12p
Diethelm Antiqua, 12p
Diethelm Antiqua, 12p
More Impression, 2015
85 mm x 55 mm
1/0, blue
Plano Art 300g/m2,
Supremo Versalien, 36p
Karl Kranke, 1932
Brüder Butter, Dresden
Listen to me, don’t listen to me
Talk to me, don’t talk to me
Dance with me, don’t dance with me
David Bowie, Fashion
typeface:
Supremo Versalien, 36p
Supremo Versalien, 36p
More Impression, 2015
85 mm x 45 mm
colour fading Indian Summer
Munken Lynx 300g/m2, uncoated, natural white paper
Zarte Industria, 20p/16p
Hermann Zehnpfundt, 1913
Berthold AG, formerly Gursch
Floating transitions from yellow to orange, red, bordeaux, brown to black.
typeface:
Zarte Industria, 20p
Zarte Industria, 16p
Luise Bartels, Aurelia Markwalder, 2016
85 mm × 55 mm
Indian Summer
Munken Lynx 240g/m2, uncoated, natural white paper
Permanent fett, 14p
Permanent mager, 6p
typeface:
Permanent fett, 14p
Permanent fett, 14p
Permanent mager, 6p
Permanent mager, 6p