MORE IMPRESSION

Maui

  • design:

    Britt Helbig, 2016

  • size:

    Married Couple,
    3,375 × 2,5 inches
    85 mm × 64 mm

  • colour:

    10 cards red
    10 cards green
    10 cards blue
    10 cards red/green
    10 cards red/blue
    10 cards green/blue
    10 cards red/green/blue

  • paper:

    Multi Offset 300g/m2
    uncoated white paper

  • typeface:

    Helvetica mager, 20p

  • type designer:

    Max Miedinger, 1958

  • foundry:

    Haas Type Foundry

All combinations of the RGB spectrum.

typeface:

  • front:
    • 1st line:

      Helvetica mager, 20p

    • 2nd line:

      Helvetica mager, 20p

    • 3rd line:

      Helvetica mager, 20p

    • 4th line:

      Helvetica mager, 20p

    • 5th line:

      Helvetica mager, 20p

    • 6th line:

      Helvetica mager, 20p

    • 7th line:

      Helvetica mager, 20p

Hiddensee

  • design:

    More Impression, 2015

  • size:

    85 mm × 55 mm

  • colour:

    1/0 black

  • paper:

    Chromolux 700, 300g/m2,
    oneside glossy paper

  • typeface:

    text: Genzsch-Antiqua halbfett, 8p
    footnote: Grotesk extrabreit leicht, 5/6p

  • type designer:

    text: Friedrich Bauer, 1908
    footnote: unknown

  • foundry:

    text: Genzsch & Heyse, Leipzig
    footnote: unknown

For lyrical moods and literary delights.
On this card, there is space for more than 200 characters.

typeface:

  • front:
    • 1st line:

      Genzsch-Antiqua halbfett, 8p

    • 2nd line:

      Genzsch-Antiqua halbfett, 8p

    • 3rd line:

      Genzsch-Antiqua halbfett, 8p

    • 4th line:

      Genzsch-Antiqua halbfett, 8p

    • 5th line:

      Genzsch-Antiqua halbfett, 8p

    • 1st footnote:

      Grotesk extrabreit leicht, 5/6p

    • 2nd footnote:

      Grotesk extrabreit leicht, 5/6p

Elba

  • design:

    More Impression, 2015

  • size:

    85 mm × 55 mm

  • colour:

    1/0 blue

  • paper:

    Chromolux 700 300g/m2,
    oneside glossy paper

  • typeface:

    Helvetica mager, 20p

  • type designer:

    Max Miedinger, 1958

  • foundry:

    Haas Type Foundry

The backside of the glossy front is perfect for drawings and writings.

typeface:

  • front:
    • 1st line:

      Helvetica mager, 20p, Versalien

Guadeloupe

  • design:

    Ernst und Mund, 2015

  • size:

    85 mm x 55 mm

  • colour:

    1/0 red

  • paper:

    Conqueror Iridescent Gold Dust 250g/m2,
    golden pearly glaze and smooth surface

  • typeface:

    Helvetica, Futura, Genzsch-Antiqua

  • type designer:

    Max Miedinger, Paul Renner, Friedrich Bauer

  • foundry:

    unknown

A waterfall falls on a golden pearly glaze. One card is not enough – that’s why you get a pair of two.

typeface:

  • 1st card:
    • 1st line:

      Helvetica halbfett, 36p

    • 2nd line:

      Helvetica halbfett, 28p

    • 3rd line:

      Helvetica halbfett, 20p

    • 4th line:

      Helvetica halbfett, 14p

    • 5th line:

      Helvetica halbfett, 12p

  • 2nd card:
    • 1st line:

      Futura, 48p

    • 2nd line:

      Futura, 48p

    • 3rd line:

      Genzsch-Antiqua halbfett, 8p

Tromelin

  • design:

    More Impression, 2015

  • size:

    85 mm × 55 mm

  • colour:

    1/0, black

  • paper:

    Munken Lynx 300g/m2, uncoated, natural white paper

  • typeface:

    Diethelm Antiqua, 12p

  • type designer:

    Walter Diethelm, 1951

  • foundry:

    Haas Type Foundry

The Diethelm Antiqua typeface makes this simple design special. Having not (yet) been digitized, this typeface is exclusively typeset and printed in lead.

typeface:

  • front:
    • 1st line:

      Diethelm Antiqua, 12p

    • 2nd line:

      Diethelm Antiqua, 12p

    • 3rd line:

      Diethelm Antiqua, 12p

    • 4th line:

      Diethelm Antiqua, 12p

    • 5th line:

      Diethelm Antiqua, 12p

    • 6th line:

      Diethelm Antiqua, 12p

Voavah

  • design:

    More Impression, 2015

  • size:

    85 mm x 55 mm

  • colour:

    1/0, blue

  • paper:

    Plano Art 300g/m2,

  • typeface:

    Supremo Versalien, 36p

  • type designer:

    Karl Kranke, 1932

  • foundry:

    Brüder Butter, Dresden

Listen to me, don’t listen to me
Talk to me, don’t talk to me
Dance with me, don’t dance with me

David Bowie, Fashion

typeface:

  • front:
    • 1st line:

      Supremo Versalien, 36p

    • 2nd line:

      Supremo Versalien, 36p

Lindau

  • design:

    More Impression, 2015

  • size:

    85 mm x 45 mm

  • colour:

    colour fading Indian Summer

  • paper:

    Munken Lynx 300g/m2, uncoated, natural white paper

  • type:

    Zarte Industria, 20p/16p

  • type design:

    Hermann Zehnpfundt, 1913

  • foundry:

    Berthold AG, formerly Gursch

Floating transitions from yellow to orange, red, bordeaux, brown to black.

typeface:

  • front:
    • 1st line:

      Zarte Industria, 20p

    • 2nd line:

      Zarte Industria, 16p

La Réunion

  • design:

    Luise Bartels, Aurelia Markwalder, 2016

  • size:

    85 mm × 55 mm

  • colour:

    Indian Summer

  • paper:

    Munken Lynx 240g/m2, uncoated, natural white paper

  • typeface:

    Permanent fett, 14p
    Permanent mager, 6p

typeface:

  • front:
    • 1st line:

      Permanent fett, 14p

    • 2nd line:

      Permanent fett, 14p

    • 3rd line:

      Permanent mager, 6p

    • 4th line:

      Permanent mager, 6p