Marmorierte Karten mit passenden Umschlägen
- sizes:
cards: A5, A6, A7
folding cards: A5, A6, A7, A8
envelopes: C6, C7
eggs: real size - paper:
Fly 400g/m2, Fly 150g/m2
Sortierbüro, Visitenkarte
- design:
Oda Loll, 2024
- size:
85 × 55 mm
- edition:
60
- colour:
Yellow and Bordeaux
- paper:
Multi Offset 300g/m2
uncoated white paper - font:
typewriter font, 10 p
Pro Arte, 36 p - type design:
Max Miedinger, 1945
unknown - foundry:
Haas Type Foundry
unknown
Design – 10:57 a.m.
Colour selection – 11:42 a.m.
Print, first colour – 12:54 p.m
Print, second colour – 1:34 p.m.
Leisure time – 2:58 p.m.
Seidentücher Cranach
- Design:
More Impression, 2024
- Size:
60 × 60 cm
- Edition:
12
Silk Scarf inspired by Lucas Cranach dem Älteren Adam und Eva (1533). At the invitation of MZIN and
MbdK, Leipzig, 2023. Image: Karen Laube
Relax Baby Be Cool, Poster
- design:
More Impression, 2023
- size:
35.5 x 53.3 cm, folded to 7 inches
- colour:
bleu, blanc, rouge
- paper:
Fly 90g/m2
- print run:
60 pieces
- font:
Garamond, Bodoni bold, Bodoni lean, Bodoni narrow bold, Clarendon, typewriter font, Liturgical, Reform Grotesk, Venus wide semibold, Venus wide lean, Venus narrow semibold, Industria bold, Industria thin, Erbar bold, Futura, Kabel light, Nürnberger Schwabacher, Memphis thin, Fundamental-Grotesk bold, Fundamental-Grotesk semibold, Fundamental-Grotesk semibold italic, Fundamental-Grotesk light, Supremo Versalien, Fatima, Forelle, City light, Claudius, Elan, Graphique, Italienne versal, Pro Arte, Diethelm-Antiqua, Rhapsodie, Vendôme light, Vendôme italic, Impuls semibold, Delphin, Permanent bold, Permanent light, Vendôme semibold, Horizontal
Contribution to Hits! – printmakers top ten at the invitation of Annegret Frauenlob, Essen.
Vom Guten das Beste
- design:
More Impression, 2023
- size:
20 × 29,7 cm
- colour:
CMYK
- paper:
Multi Offset 300g/m2
uncoated white paper - edition:
5
- font:
Lego Pixel Font
Greeting card, printed with Lego bricks and 3 colours on the Vandercook proof press.
8 AM Ausstellung
- date:
9 October 2023 – 17 March 2024
- place:
HGB, Leipzig
- collaboration:
Archive and Library of the HGB, Julia Blume, Vincent Klotzsche, Yvonne Schürer
Graphic workshops: Johannes Oestringer, Sebastian Cewe
Exhibition of prints from the Typography and Typesetting course run by Aurelia Markwalder.
Apéro riche, Einladungskarte
- design:
Aurelia Markwalder, 2023
- size:
9 × 13 cm
- colour:
black
- paper:
Multi Offset 300g/m2
uncoated white paper - edition:
300
- font:
Diethelm Antiqua
- type design:
Walter Diethelm, 1948
- foundry:
Haas Type Foundry
Invitation card to the inaugural lecture Das Strafrecht als Hilfswissenschaft der Kriminologie? including Apéro riche.
Briefschaft
- design:
Aurelia Marwklader, 2023
- size:
A6 and C7
- colour:
Viva Magenta, Pantone Coulor of the year 2023, 18-1750
- paper:
Munken Lynx 160g/m2 and 300 g/m2
- print run:
100 pieces each
- font:
Venus
- type design:
1907
- foundry:
Bauersche Schriftgießerei
Letter set consisting of card and matching marbled envelopes.
Umzug
- date:
June 8, 2023
In 2014 we founded our print shop at Reclamstraße 51. Out of nine years seven have been burdened by the struggle with changing landlords. The tenants of the flats are still fighting for their rights (entmietung51.de).
Commercial leases are subject to freedom of contract. There are no restrictions on what is agreed, which means there are no tenant protections – Keep this in mind when you enter into such contracts. We were only able to stay for so long because we had a lawyer for the conclusion of the rental agreement.
We did not move out by choice, but taking the best with us: our ideas, your orders and the memory of all the good encounters.
We have arrived in Knauthain with the best help and support and are happy to stay here.
Beste Reste – Werkverkauf
- date:
June 1, 2023
We are giving away all leftovers – books, paper, prints, furniture, stamps and pasta – for donation for the upcoming move.
Panini-Bar und Werkverkauf
- date:
16.12.2022, 3 – 8 pm
Stroll Karte
- date:
15 October 2022
- design:
Aurelia Markwalder
- text:
Paul Philipp Hanske
- format:
8,5 × 14 cm
- paper:
Munken Lynx, 300 g/m2
- edition:
100
- collaboration:
ANNA, Leipzig
Paul Philipp Hanske, München - font:
Memphis light, 8 p
- type design:
Rudolf Wolf
- foundry:
D. Stempel
Card in addition to the stroll at 21 Juli 2022 with Paul-Philipp Hanske and Aurelia Markwalder. The walk can be accessed via a QR code.
Druckfestival Hot Printing, Offenbach
- date:
8. – 10. July 2022
Marmorierte Seidenpapiere
- design:
More Impression, 2022
- size:
50 × 60 cm
- paper:
Tissue paper, 24 g/m2
- print run:
10 pieces each
Marbled tissue paper for Vary Winterthur.
Marmorierte Seidenpapiere
- design:
More Impression, 2022
- size:
50 × 60 cm
- paper:
Tissue paper, 24 g/m2
Marbled tissue paper in a set of three.
Sex Nails, Visitenkarte
- design:
Aurelia Markwalder, 2024
- size:
85 × 55 mm
- edition:
160
- colour:
black
- paper:
Chromolux metallic silver, 250g/m2
- typeface:
Vendôme italic, 12 p, 8 p
- type design:
Françoise Ganeau, Roger Excoffon
- foundry:
Fondrie Olive
Rave the Date
- design:
Aurelia Markwalder, 2020
- quantity:
set of 12 cards
- size:
55 mm × 85 mm
- colour:
black
- paper:
Multi Offset 300g/m2
uncoated white paper - typeface:
Vendôme, 8 p
- type design:
Françoise Ganeau, Roger Excoffon, ca. 1956
- foundry:
Fondrie Olive
Save the Rave
Panini-Bar
- date:
3 July 2021, 5 – 10 pm
- font:
Série E, Fonderie Typographique Française
digital font by Aurelia Markwalder
Marmorierte Badeschuhe
- edition:
3
- size:
UK 4,5
UK 5,5
UK 6
We marble everything.
Keep Moving, International Letterpress Workers, Workshop im Museum für Druckkunst Leipzig
- date:
30.9 – 2.10. 2020
Foto: Clara Maria Thöne
Marmorierte Umschläge
- size:
C6
Nichts Halbes
- set:
envelope and invitation in shell.
- typeface:
Vendôme, 8p
wedding invitation.
Elba
- design:
More Impression, 2015
- size:
85 mm × 55 mm
- colour:
1/0 blue
- paper:
Chromolux 700 300g/m2,
oneside glossy paper - typeface:
Helvetica mager, 20p
- type designer:
Max Miedinger, 1958
- foundry:
Haas Type Foundry
The backside of the glossy front is perfect for drawings and writings.
Guadeloupe
- design:
Ernst und Mund, 2015
- size:
85 mm x 55 mm
- colour:
1/0 red
- paper:
Conqueror Iridescent Gold Dust 250g/m2,
golden pearly glaze and smooth surface - typeface:
Helvetica, Futura, Genzsch-Antiqua
- type designer:
Max Miedinger, Paul Renner, Friedrich Bauer
- foundry:
unknown
A waterfall falls on a golden pearly glaze. One card is not enough – that’s why you get a pair of two.
Tromelin
- design:
More Impression, 2015
- size:
85 mm × 55 mm
- colour:
1/0, black
- paper:
Munken Lynx 300g/m2, uncoated, natural white paper
- typeface:
Diethelm Antiqua, 12p
- type design:
Walter Diethelm, 1951
- foundry:
Haas Type Foundry
The Diethelm Antiqua typeface makes this simple design special. Having not (yet) been digitized, this typeface is exclusively typeset and printed in lead.
Voavah
- design:
More Impression, 2015
- size:
85 mm × 55 mm
- colour:
1/0, blue
- paper:
Plano Art 300g/m2
- typeface:
Supremo Versalien, 36p
- type design:
Karl Kranke, 1932
- foundry:
Brüder Butter, Dresden
Listen to me, don’t listen to me
Talk to me, don’t talk to me
Dance with me, don’t dance with me
David Bowie, Fashion
Lindau
- design:
More Impression, 2015
- size:
85 mm × 45 mm
- colour:
Farbverlauf Indian Summer
- paper:
Munken Lynx 240g/m2, uncoated, natural white paper
- typeface:
Zarte Industria, 20p/16p
- type design:
Hermann Zehnpfundt, 1913
- foundry:
Berthold AG, formerly Gursch
Floating transitions from yellow to orange, red, bordeaux, brown to black.
La Réunion
- design:
Luise Bartels, Aurelia Markwalder, 2016
- size:
85 mm × 55 mm
- colour:
Indian Summer
- paper:
Munken Lynx 240g/m2, uncoated, natural white paper
- typeface:
Permanent fett, 14p
Permanent mager, 6p - type design:
Karlgeorg Hoefer, 1962
- foundry:
Ludwig und Mayer, Frankfurt am Main